Calendar

So much to see...

 

Feature

Lost Art

Preservation efforts were too late to save Paul Silverthorne's murals

 

Feature

Bet Your Arsht!

The Carnival Center for the Performing Arts went through a name change after Adrienne Arsht invested $30 million.

 

Feature

Jeopardy!

A thousand or so South Floridians flocked to Gulfstream last weekend to  show everyone how brilliant they are. Many failed in their quest.

 

NEWS

 

Miami: Police Chief John Timoney dodges the subpoena bullet

 

Miami cops who talk to the SunPost shouldn't expect protection from the Civilian Investigative Panel

 

Miami Beach commissioner campaigns against doing business with China

 

Miami Beach: a cease-fire is called in the Coral Rock House war

 

Coral Gables drops metal roof pilot program

 

A North Bay Village activist  sinks his teeth into an almost homeless police force

 

Hallandale Beach elected officials may be illegally sitting on pension board

 

Hollywood developers can start building around Central Beach again with restrictions

 

COLUMNS

 

Wakefield: Hialeah's mayor prepares a slot machine showdown

 

Make Me The President: Episode 2  of the Campaign Trail Reality Show

 

Politics: John Hood stalks Rudy Giuliani and isn't very bueno about it

 

Bound: Famed fighter Angelo Dundee’s been there, done that in My View From the Corner

 

Film: Mad Money is crazy bad

Plus: The Jewish Film Festival turns 11 this year

Film Capsules

 

Theater: Fill Our Mouths isn't very fulfilling

 

Theater: Hollywood, Hustlers and Homos — Oh My!

 

Chow: For Lolita, the book was better than the restaurant

Restaurant Listings

 

Introducing Orchestra Miami — the new kids on the classical music block

 

The New World Symphony wants to convince young people that it’s cool to listen to classical music

 

Groundwork: Plans for the $200 million Icon Celebration condo-hotel are on hold

 

Design: In Miami, it’s important that a hotel’s interior be different

 

Letters: Hey, people actually liked us last week

 

 

 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
Chow

Thursday, Jan. 17, 08

What’s in a Name?

 

Curiosity seduces a dining critic into Dolores But You Can Call Me Lolita

 

By Paula Niño

 

Causa, a Peruvian tuna dish made with potatoes and marinated spicy peppers. Photo by Richard M. Brooks

Surely the first thing that draws attention to the three-month old restaurant now occupying the old Firehouse Four in Mary Brickell Village is its name. Dolores But You Can Call Me Lolita, a moniker that’s a little too long and rather puzzling, is bound to make some people stop and wonder. It did for me. And after a few strolls in front of the place, my curiosity compelled me to try it.

 

On each of my visits, I asked a staff person about the name (a question I’m sure they’re tired of answering), and got the same explanation: Dolores was meant to be the restaurant and Lolita the first-floor lounge. Not a particularly satisfying answer for my curiosity, but I really went to eat.

 

As you enter the first floor of the old firehouse, the contrast of the white walls against the dark-wood floors captivates you, as do the steel fire poles coming down from the ceiling. Lanterns placed on each stairstep to the second floor give the room a touch of romanticism. Upstairs, the white tablecloths and minimalist decoration impress; candles lit at dinnertime give the space a warm, cozy feel. The restaurant’s large outdoor terrace, which overlooks the surrounding shops and restaurants, is great at lunchtime and on weekend nights, when it becomes packed for happy hour.

 

Service at Dolores is attentive and prompt. Your water glass will not stay empty for long, and you’ll be greeted with a plate of tapenade and toast almost immediately after being seated. Though a too-noticeable anchovy taste in the tapenade turned me off on my first visit, it only happened that time.

 

The menu works like this: Entrées are divided into two price categories — $18 and $23 — and include an appetizer of your choice. A novel idea, I suppose, and an affordable one. Unfortunately, the food at Dolores isn’t always as impressive as its decor or as enigmatic as its name.

 

A generous portion of causa with tuna — a Peruvian dish of potatoes and tuna, and sometimes served with avocado — presented as potato cylinders with a scoop of canned tuna on top, stands out against the backdrop of its black plate. The tuna is flavorful and pleasing combined with the potato, but I would lean toward other first courses. The eggplant timbale with smoked mozzarella is a tad greasy, but more satisfying. The alternating layers of piping-hot mozzarella and eggplant make for a nice, juicy combination. The single sautéed shrimp that tops the timbale doesn’t add much to the dish, but overall it’s a tasty option and one of the restaurant’s more popular offerings. Another popular appetizer is what the menu calls “simply, the best Serrano ham croquettes you have ever tasted.” I, no fan of croquetas, cannot attest to the restaurant’s claim, but I was delighted by the dish’s crisp exterior and creamy insides. A chunky roasted pepper hummus would have been better had the triangles of accompanying fried bread been crispy.

 

Intentionally or not, the appetizers seem to take center stage over the entrées, both in presentation and taste. The salt-crusted salmon, served with jasmine rice and tomatoes marinated in vinaigrette ($18), lacked oomph. The less-plain pork tenderloin with an orange-ginger glaze (also from the $18 side of the menu) is a safer choice. You’re better off, however, with the intensely flavored veal lasagna ($23), which comes with a rich Bolognese sauce. The picanha ($23) — a Brazilian cut of meat translated into English as “rump cover” — comes in thin slices with tender mushrooms in a wine reduction.

 

Although the first few slices of my dish lacked flavor and were overcooked, the others were cooked at the right point, really making the meat’s flavor stand out more than in my initial bites.

 

Each time I visited, I was full after the appetizer and entrée, but on the final occasion I ventured into desserts, which are a bargain at $2.50. The mango carpaccio with lemon crème was lovely. Disclaimer: I have an endless love affair with mango. The thin slices of sweetened fruit were delicious with the tangy lemon crème. It was a light ending to a filling meal.

 

Leaving Dolores that last time, I felt as uncertain about it as I did before I decided to try it. It succeeds on many fronts — service, atmosphere and prices — but its food is hit or miss.

 

Dolores But You Can Call Me Lolita

 

ADDRESS: 1000 S. Miami Ave., Miami

PHONE: 305-403-3103

HOURS: Lunch: Monday to Friday, 1:30 to 3:30 p.m.; dinner: Monday to Wednesday, 6 to 11:30 p.m.; Thursday to Saturday, open until 1 a.m. Closed Sundays.

FOOD:  International with a twist

SERVICE: Friendly and attentive

PRICES: Entrées either $18 or $23, including an appetizer; desserts $2.50 

WINES: Nice mix of Argentine, Californian and Spanish wines, plus a full bar

ATMOSPHERE: Stylish and elegant

RESERVATIONS: Recommended

CREDIT CARDS: All major cards accepted

Comments? E-mail letters@miamisunpost.com.