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Museum Police

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Cornerstone was a place where people could practice their artistic expressions in front of a receptive audience. Now it’s closing down and moving on to another spot — somewhere, maybe.

 

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Miami

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Theater printable.
Surreally Good

City Theatre’s Short-Play Fest Takes Dalíesque Approach to Life

By Mary Damiano

City Theatre is set to put on a short-play performance for kids on July 6 in Miami Beach’s Flamingo Park.

Here’s the great thing about Summer Shorts, City Theatre’s annual festival of short plays: If you don’t like what you’re watching, there’ll be a different play along within 10 minutes. The good news with this year’s festival is that you’ll rarely be thinking about the next play because you’ll be enjoying whatever you’re watching.

The 15 plays in Summer Shorts are broken into two programs, A and B, which are presented alone on Thursdays and Fridays and together on Saturday and Sunday. Both programs have their flaws, but both also contain plays that should not be missed.

The thread running through both programs is surrealism, with a strong dose of relationship drama. There’s a lethal dress (96 Stitches, by Sarah Hammond), a woman obsessed with grizzly bears (What I Learned From Grizzly Bears, by Jessica Lind), a teen who can predict the future (Suspension, by William Orem), a levitating boy (Practicing, by Rinne Groff), a superhero fantasy (I Am Not Batman by Marco Ramirez), and Munchkins (yes, Munchkins) confronted with a question of morality (Splat! by Michael McKeever). These subjects make the homicidal prom girls in Ron Bobby Had Too Big a Heart by Rolin Jones feel almost like a slice of life. And while there are several plays that illuminate relationships, including Uprising, by Susan J. Westfall, in which a mom tells her daughter about how the girl’s grandmother survived the Holocaust, Summer Shorts also has its share of plays that are over the top and hysterical, including The Sons of Mickey by Jim Fitzmorris, about what happens when a man obsessed with the Magic Kingdom gets an elaborate, unlicensed Disney-esque tattoo; Donde Esta Pedro Mano? by Monserrat Mendez, a send-up of telenovelas; and the aforementioned Splat!.

Summer Shorts, now in its 12th year, has survived its move from the Ring Theatre on the University of Miami campus in Coral Gables to the Studio Theater in Carnival Center in downtown Miami. The in-the-round staging of the plays in the Studio Theater’s ample space never feels gimmicky and serves the plays well. The actors have more room to move and expand, and they fill the theater with stunning performances.

Each of the nine cast members creates a variety of characters. Kameshia Duncan and Ceci Fernandez make a delightful duo in two plays, first as a teen version on Thelma and Louise and then as a pair of soapy Latinas. Tom Wahl brings animated energy to his role as a man who suffers dire consequences for his love of Disney, and an odd matter-of-fact quality to his role as a baseball fan who keeps getting hit with foul balls (Foul Territory, by Craig Wright). Stephen Trovillion, who has been part of the Summer Shorts ensemble for 10 seasons, brings a wry wit to his characters, which include an airline passenger sure the plane he’s about to board is going to crash (Ambivalent, by Joshua James) and a Munchkin named Larry. Bechir Sylvain is poignant in his rambling monologue as a boy obsessed with Batman. Erik Fabregat goes from the strutting picture of machismo to a dyslexic guy’s guy (Angle of Attack, by John Walch) in two of Program B’s most memorable performances.

The Summer Shorts team behind the scenes brings depth and texture to each play. Steve Shapiro’s sound design includes bizarre covers of classic songs between the plays, like the lounge lizard version of the Eagles’ “Hotel California.” Erin Amico’s whimsical costumes range from blood-splattered prom dresses to Munchkin get-ups. Melissa Santiago’s lighting also doubles as special effects. Michael Amico’s scenic design is clever and inventive and works in the round.

Summer Shorts is a dizzying array of terrific work. Don’t miss it.

The 12th Annual Summer Shorts Festival, produced by City Theatre, is on stage through July 8 at Carnival Center for the Performing Arts, 1300 Biscayne Blvd., Miami. Call 305-949-6722 or visit www.carnivalcenter.org; then at Amaturo Theater at Broward Center for the Performing Arts, 201 SW Fifth Ave., Fort Lauderdale, from July 12 to 15. Tickets are $35. Call 954-462-0222 or visit www.browardcenter.org. City Theatre is online at www.citytheatre.com.

 Comments? E-mail letters@miamisunpost.com.

 

Bound

Return of the Britt

 

Murmurs

Just because the November election is over doesn’t mean the debate between Marc Sarnoff and Linda Haskins has ended. And witness the Balkanization of the Upper Eastside Miami Council.

 

The 411

Thanks to outstanding debt, Miami club Nocturnal is pretty much Toast. But don’t ask nightlife entrepreneur Louis Puig about it — he’s on vacation. All that noise doesn’t bother a slender Janet Jackson as she parties at a certain South Beach club. Which one, you ask? Read on.

 

Theater

Summer Shorts is short-attention-span theater — and that’s a good thing.

 

Art

Want to see some cutting-edge Venezuelan art? Then hop on over to Jump Cuts. And there is No Need to Touch at the ArtCenter/South Florida — at least until Sunday.

 

Groundwork

Helen Hill asks: Just why are so few affordable housing projects being built? Plus: see-through furniture!

 

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