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BOUND>>

John Hood gets down with the obviously masochistic Norah Vincent, who not only spent a year living as a man and writing about it but then after the experience drove her nuts, she spent a year living in the loony bin and writing about that too.

 

THE 411>>

Michael Bay transforms his home into a celebrity, back-slapping fest masquerading as a party for charity. Diddy and his entourage, party at LIV. George ‘The ham with the tan’ Hamilton is spotted in Aventura. Mary Jo has all that and more in the 411.

 

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It’s time to party. Living in a world-class party town certainly makes that easier to arrange, but a heck of a lot more complicated. Where does a well-heeled Miamian go for a great New Year’s Eve bash when there are so many fantastic options to choose from?

 

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This Week: 2009 arrives with some football, a bit of opera and electronica, and three rings of circus >>

 

 

 

 

Theater

 August 28, 08

As You Like It … or Don’t Like It

New Theatre Strangles the Fun Out of Shakespearean Comedy

By Mary Damiano

Elise Girardin as Rosalind in As You Like It. Sadly, the tree does not appear in the play. Photo by Eileen Suarez

For me, Shakespeare is like broccoli.

This was my epiphany as I watched New Theatre’s production of As You Like It. Broccoli feeds the body, Shakespeare feeds the soul. They’re both good for you. But I don’t like either one.

It’s blasphemy for me — a writer, theater lover and critic — to say I don’t like Shakespeare, especially since my favorite movie is Shakespeare in Love. But while the movie skewers the Bard’s plot devices as it celebrates his talent, the majority of local productions of Shakespeare — New Theatre’s included — take Shakespeare so seriously that they strangle the fun right out of it.

And Shakespeare is a lot of work because there’s a translation process. It’s like in badly subtitled movies, when a character prattles on endlessly in a foreign language, then the subtitles come up and you read some overly shortened nonsense like “yes,” or “no.” Shakespeare wrote in Elizabethan English, which to us 21st century folk is a foreign language. So as I watch the actors, I find myself translating: Two characters go back and forth for a few minutes, and afterward I realize, “Oh, he mistrusts her.” Who wants to do that much work at the theater?

It’s not New Theatre’s fault. Their production of As You Like It is perfectly serviceable, meaning it’s the type of production you get when you have a cast of non-Shakespearean actors. A few members of the cast understand the meaning behind the words, and in those moments the production is funny. Most, however, simply recite the words, and in those long stretches, the production is tedious.

The themes in As You Like It are typical of Shakespeare — royalty behaving badly, mistaken identity, young lovers with crossed wires, and cross-dressing. (Shakespeare was very fond of cross-dressing.) Most of the play takes place in the Forest of Arden, which, in New Theatre’s imagining, looks like a wood-paneled rumpus room from the 1960s, but without the style. It’s the Forest of Arden; would it be too much to ask that there be a few trees or plants around?

As You Like It does have some bright spots. Elise Girardin makes a radiant Rosalind, and she has real chemistry with Katherine Michelle Tanner, who plays Celia. Joshua David Robinson steals all of his scenes as Touchstone, the clever fool. And it’s always a treat to see Stephen Neal and James Samuel Randolph onstage. But that’s five bright spots out of a 14-member cast over the course of two and a half hours. You do the math.

Don’t get me wrong. Everyone should be exposed to Shakespeare. But you don’t have to like it.

As You Like It runs through Sept. 14 at New Theatre, 4120 Laguna St., Coral Gables. For tickets and more information, call 305-443-5909 or visit www.new-theatre.org.

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