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Art Basel  

The Art Basel Effect

Swiss art fair provides economic opportunities for Miami-Dade

By Erik Bojnansky

Art-loving crowds venture into the Miami Beach Convention Center for last year’s Art Basel Miami Beach. File photos by George Barreiro/firedogphoto.com

There’s a symbiotic relationship between Art Basel Miami Beach and the greater Miami metropolitan area. So, what’s good for one is good for the other.

There are plenty of reasons why the predominately Swiss organizers of Art Basel brought the massive artistic showcase to Miami Beach in 2002.

“One, the proximity from the convention center to hotels allows visitors to walk back and forth,” said Bob Goodman, a Miami Beach-based publicist and political consultant who serves as Art Basel’s local spokesperson. “Two, the climate is ideal in December. Three, there is a very vibrant community in South Florida of art collectors.”

In fact, it was that community of art collectors that helped persuade Messe Schweiz to set up shop in Miami Beach. The Swiss company runs 25 shows and festivals, most of which are in Basel, the third most populous city in the Swiss Confederation.

Although Messe Schweiz runs shows exhibiting technology, jewelry and construction, its most famous is Art Basel, an art fair that has been held each June since 1970. Throughout the years, Art Basel became renowned for displaying the best works of the 20th and 21st centuries, attracting artists, gallery operators, museum managers and art collectors from all over the world.

A number of Miami-Dade County art collectors frequented the Swiss event — including Craig Robins of the development company Dacra, hoteliers Don and Mera Rubell, and car dealership owners and philanthropists Norman and Irma Braman — and eventually convinced Messe Schweiz to set up a spinoff art fair in Miami Beach.

The company initially planned to debut the Miami Beach art fair in 2001, but canceled the event following the Sept. 11 terrorist attacks in New York City and Washington, D.C. Then, when it finally debuted in 2002, Art Basel Miami Beach drew 30,000 visitors.

Why choose Miami Beach? “It is wintertime in Europe,” Peter Vetsch, the marketing and communications manager for Art Basel, explained in 2002.

Since then, Art Basel Miami Beach has continued to grow, this year attracting more than 40,000 art collectors, journalists and museum delegates from all over the world to South Florida for Basel and corresponding satellite fairs.

Art Basel Miami Beach itself will showcase the works of 2,000 artists from 200 galleries in the Convention Center and in public spaces in Miami Beach. At the same time, numerous other organizations set up art fairs throughout Miami Beach and Miami, particularly in the Design District and Wynwood.

“There are events going on everywhere,” said Michael Spring, director of the Miami-Dade County Department of Cultural Affairs. “You can go down south to Fairchild Tropical Garden and there’s a Roy Lichtenstein show. The area is coming alive and putting its best foot forward.”

Those satellite events don’t compete with Art Basel Miami Beach; they complement it, as Messe Schweitz intended.

“It would have been far easier for them to say, ‘We are a commercial fair, we want to capture [the audience] for ourselves.’ Instead, they did something to make this a community event,” Spring said. “They pursued partnerships. They encouraged local people with Art Basel.”

Basel organizers even promoted some of the events that started coming to Miami to capitalize on the Swiss show’s success.

“They see nothing but success from this strategy,” Spring said. “You are building more reason for people to come to Miami for the central attraction.”

Art Basel week has become so large that the event actually changed the tourism industry for the entire region, said Rolando Aedo, senior vice president of marketing for the Greater Miami Convention and Visitors Bureau.

“Art Basel has meant more to the Miami brand than any other brand in its short life,” he said. “In its short time, Art Basel has been the synopsis of what Miami is becoming, ever more sophisticated. I can’t remember any event that has had so much of an impact. It made almost a paradigm shift in positioning the community in terms of events.”

Aedo said Art Basel has enabled the tourism industry to promote Greater Miami as something “more than just sun and fun” — as a cultural center, with a greater focus on visitors with millions of dollars in disposable incomes.

“What Art Basel has given us is a layer that we didn’t have before,” he said.

That layer is the upscale visitor, something that the hotel and entertainment industry only recently has been able to entice.

“Go back nine years ago — the first hotel in 30 years was built in Miami Beach, the Loews Hotel, thanks to a cooperative effort of Miami Beach,” Aedo said. More luxury hotels opened after that, but it was events like Art Basel Miami Beach and the South Beach Wine and Food Festival that attracted the wealthy visitors and the publicity.

The tourism industry hasn’t been the only beneficiary of the Art Basel effect. Art Basel has generated so much media attention that Miami-Dade’s cultural scene has finally gained the international exposure it has long coveted, Spring said.

“We have one of the most diverse and energetic cultural lives in the hemisphere, but the world doesn’t know that,” Spring said. “Miami is still young as a city. It would have taken 20 years to get the message out [without the Art Fair]. Art Basel took a spotlight and pointed it at Miami for the international media.”

Yet, Art Basel’s direct financial impact on the area has never been calculated, said Jaap Donath, vice president of research and strategic planning at the Beacon Council. “No one has done a formal analysis of what the impact might be,” he said.

However, area hotels are getting more business and charging higher rates. Miami-Dade hotel room occupancies for the week of Dec. 9 increased 116 percent from 2000 to 2006, according to records collected by the Greater Miami Convention and Visitors Bureau. Hotel room rates increased 109 percent in the same period. From 2005 to 2006, hotel occupancy rose 12 percent while room rates increased 55 percent.

“Miami is not an inexpensive destination,” Aedo said. “At certain times of the year, we lead the world in room rates. We are going after high-value customers, and the Art Basel event goes after those high-value customers.”

In fact, there are so many wealthy individuals coming to Miami and Miami Beach that the county has been asked to issue more limousine licenses. “The demand for limousines outweighs the supply,” Goodman said, adding that more private jets are flying into Miami International Airport for this year’s Art Basel than for February’s Super Bowl.

“Visitors come from across the U.S. and throughout the world,” Goodman said. “Whether it is limousines or taxis, it is a very positive impact for everyone.”

The Beacon Council, a public-private partnership that promotes Miami-Dade County as a place for businesses to locate, wants to exploit Art Basel’s success in areas other than tourism.

“We have tried to use Art Basel as a major event to somehow try to increase exposure for the business side of things,” Donath said. “A lot of people who come to visit Art Basel don’t just collect art — they own businesses and we are trying to create that link.”

With the help of then-Gov. Jeb Bush, the Beacon Council created the CEO Forum in 2005 to coincide with Art Basel. By 2006, the forum grew to include delegates from Switzerland. Now, the council is working to increase trade relations between Florida and that country.

“In many cases when company executives look at relocating their business, they want to know about quality of life,” Donath said.

A strong cultural arts community, Spring said, goes a long way toward improving that atmosphere.

“We are competing to attract businesses and a skilled work force here,” he said. “The Beacon Council goes out and says to these business owners, ‘we have a great sea port, we are a great crossroad for international trade.’ They can also say, ‘we’re a great place to live, too.’”

In the meantime, Messe Schweiz has benefited from choosing Miami Beach as the location for its second mega art fair and can use its location to expand the Art Basel brand throughout the Western Hemisphere.

“Miami is an international city and close to South America,” Goodman said. “There are a lot of art buyers in Latin America.”

Comments? E-mail erik@miamisunpost.com.

 

The Art Basel Issue Table of Contents

 

The Art Basel Effect: Economic Opportunities Abound 

Art in Fashion: Hip Event Highlights  

In the Flesh: Spencer Tunick  

The New Art Miami: Joining the Basel Fray  

Art Positions: World Collude

NADA: No Commercialism Here

Scope Miami: Celebrating Independent Artists  

Photo Miami and AIPAD: Imagery Unleashed  

The Last Goodbye: Basel Director Sam Keller Bids Farewell  

Design Miami: Urban Possibilities

Casa Décor: From Argentina, With Style

Thank You Ma’am: Lichtenstein Pop Art at Fairchild

Miami Contemporary Artists: The In-Between Zone

Art Appétit: Food and Art Fusion  

Friends With You: A Special Blend of Magic

The Urban Art Experience: A Basel Survival Guide

International Exhibitions: Russians, Chinese and Italians, Oh My

Calendar: Art Basel and Everything Else

Theater: The Steadfast Playground Theatre

Film Review: The Golden Compass

Bound: Havana Noir

Nightlife: The Bar’s 61st anniversary bash

Chow: Eating at Art Basel

Bites: Art in Restaurants

Restaurant Listings

Special Printable Art Basel Map