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Art Basel  

Scoping for an Alternative

Scope Miami celebrates independent, local artists

By Alfredo Triff

Hope Gangloff's "Bittner's Brooklyn Bar-B-Q"

 

With a year-round schedule of fairs in London, Basel, New York and Miami, Scope has become a global exhibitor with nearly $100 million in total sales and more than 250,000 visitors. This year, Scope Miami 2007 presents 98 exhibitors from 22 countries in a 60,000-square-foot pavilion at Roberto Clemente Park, 101 N.W. 34th St. in Wynwood. For some art pundits, Scope feels like the alternative of the alternative. Adriana Farietta, Scope’s director of development and VIP relations, explains why.

 

What’s new about Scope this year?

 

Scope is celebrating its 20th fair in Miami this year and our second year at Roberto Clemente Park in Wynwood, expanding our fair to 60,000 square feet. Scope has exponentially grown in the last year, and in addition to my position, created last year to develop a robust VIP program, we now have a new exhibitor relations manager and a show manager to take Scope to the next level.

 

In which way is Scope Miami different from, say, Scope London or Basel?

 

We consider Scope Miami our flagship fair. We were the first fair to create an alternative to Art Basel Miami Beach, to the Armory Art Fair and to Frieze Art Fair. However, Miami gave us the confidence to realize this potential. Emerging curators and artists previously had no other outlet other than to exhibit at galleries. Scope gave emerging gallerists, artists and curators the opportunity to enter another arena.

 

You have firsthand knowledge of the Miami art scene. Is Scope’s programming this year in any way addressing the local scene?

 

Scope Miami is my favorite fair to produce because I get to see all my old friends. My previous position as the associate director of Locust Projects involved organizing the yearly programming of exhibitions and planning the annual benefit and fundraisers. (I met Alexis Hubshman, the owner/president of Scope, and invited him to purchase raffle tickets for artwork — he got a Pepe Mar and Jonathan Peck.) I have firsthand experience with the local Miami art scene and this year for Scope Miami I have organized a special curation of site-specific and large-scale sculptures of Miami local artists — Jason Hedges, Tom Scicluna, Wendy Wischer, Tao Rey, Nick Lobo and Leyden Rodriguez-Casanova. In addition, we have made it a point to have local Miami galleries represented at our fair in Miami and bringing them to our other fairs to gain international exposure. Finally, this year we are launching our Scope Foundation and the Scope Film and Lecture Series in collaboration with the Rubell Family Collection and hosting a collector dinner at the Rubell Family Collection.

 

What do you think about our fair explosion phenomenon in Miami?

 

In Miami, Scope Art Fair created a business model that would complement the bigger fairs. Others noticed this opportunity and followed suit by creating niche markets within the contemporary art fair market. There has been a shift of power from a small group of people in the auction houses to a broader base, evening the playing field. Eventually, the spike in the market will taper off, but I don’t believe the bubble will burst the way it has in real estate. New collectors from Russia, China and the Middle East, not to mention all the hedge fund managers, keep popping up and showing their buying power at the auction houses and art fairs.

 

With all this overlapping of contemporary art, in which way do you think Scope is different from the other fairs?

 

We appeal to young and new collectors as well as high-profile collectors who are attracted to the range of price points at our fair and to our unique programming. We consider ourselves the most comprehensive destination for the emerging art world by introducing artists, curators and cutting-edge galleries to new audiences internationally. Galleries and artists that have shown with us are now in Art Basel (we are the first to give them international exposure). In addition, we support organizations that have underfunded art programs in the local communities in our destination cities. These programs foster creative exchanges between artists and underprivileged groups. Lastly, with the creation of the Scope Foundation and our Scope Collector Circle, we hope to expand and continue to fund our Emerging and Performance Artist Grants, Independent Curator Awards and local nonprofits while hosting programs to help teach members of our Collector Circle how to build art collections through our VIP Program.

 

SCOPE Miami 2007 will take place from 10 a.m. to 8 p.m. Thursday, Dec. 6, to Sunday, Dec. 9, at Roberto Clemente Park, 101 N.W. 34th St., Miami. Admission is $12; student discounts available. For more information, call 347-583-6868.

Comments? E-mail letters@miamisunpost.com.

 

The Art Basel Issue Table of Contents

 

The Art Basel Effect: Economic Opportunities Abound 

Art in Fashion: Hip Event Highlights  

In the Flesh: Spencer Tunick  

The New Art Miami: Joining the Basel Fray  

Art Positions: World Collude

NADA: No Commercialism Here

Scope Miami: Celebrating Independent Artists  

Photo Miami and AIPAD: Imagery Unleashed  

The Last Goodbye: Basel Director Sam Keller Bids Farewell  

Design Miami: Urban Possibilities

Casa Décor: From Argentina, With Style

Thank You Ma’am: Lichtenstein Pop Art at Fairchild

Miami Contemporary Artists: The In-Between Zone

Art Appétit: Food and Art Fusion  

Friends With You: A Special Blend of Magic

The Urban Art Experience: A Basel Survival Guide

International Exhibitions: Russians, Chinese and Italians, Oh My

Calendar: Art Basel and Everything Else

Theater: The Steadfast Playground Theatre

Film Review: The Golden Compass

Bound: Havana Noir

Nightlife: The Bar’s 61st anniversary bash

Chow: Eating at Art Basel

Bites: Art in Restaurants

Restaurant Listings

Special Printable Art Basel Map