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Murmurs: Ex-con and former Mayor Alex Daoud chews the fat

 

The 411: Kris Conesa versus Plastikman

 

Sweeney Todd murders the eardrums

 

The Food Gang's hot new chef ain't so hot

 

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Feature

Thursday, Dec. 13, 07

Snubbing Miss Naomi

The World Erotic Museum has received press from all over the world — not that Art Basel would know that

By Charlotte Libov

Miss Naomi and her son Sir Ivan celebrated the World Erotic Art Museum’s second anniversary on Dec. 3.  

As a transplant from Connecticut, a state that actually revels in dullness (the state motto is “The Land of Steady Habits,” after all), I’ve found myself shaking my head in wonder many times since arriving in Miami Beach, but never with more delight than last year when I found myself walking behind a statuesque woman wearing a flesh-colored body suit, glittery star-shaped pasties, a lampshade on her head and nothing more. OK, maybe that’s not an unusual sight on Washington Avenue, but what particularly delighted me was the realization that the lampshade-woman and I were both going to the very same party — the World Erotic Art Museum’s first anniversary celebration.

Since then, I’ve never overlooked any opportunity to party there, so, on Dec. 3, I happily sashayed along the same route to celebrate the museum’s second anniversary.

And, although there was no lampshade lady in sight, this year’s party was in full swing when I arrived. There was a DJ, plenty of food and drink (the event was co-sponsored by 944 Magazine), and the 12,000-square-foot space was packed with locals, socialites, a few politicos, artists, journalists, a few gawkers and partygoers who delightedly posed with the stunning feather-boa-clad models hired for the occasion. The party guests played court to Naomi Wilzig, Miami Beach’s queen of classy erotica, who was resplendent in a long black gown and bejeweled in diamonds. “They’re the real ones — I went to the vault today,” she exclaimed, as she shook hands and hugged her well-wishers. JC Harris, her equally striking-looking bodyguard, stood nearby. As she eagerly rushed about, greeting everyone, Wilzig’s pace was slowed because she was followed every step of the way by a French television crew from M6, the country’s most widely watched private television channel.

A year ago, this engaging Jewish grandmother, who is known as Miss Naomi, had just plunked her $10 million collection into her South Beach funhouse. Accompanying Wilzig’s arrival had been some newspaper articles attesting to the artistic value of her collection, but, over the course of the past year, word has spread, both nationally and internationally, in The Washington Post, The Independent of London, Seattle Times, Stars and Stripes (Mideast edition), Reuters and many other publications.

“The difference between last year and now is that now people are realizing that they can come here,” Wilzig said. “We’re being internationally established and written up all over the world.”

The French crew was drawn here after reading about Wilzig in the French edition of the magazine Marie Clare, in an article that detailed how, as the daughter of a man known as the “Hackensack Meadowlands Czar,” she married Siggi B. Wilzig, an Auschwitz survivor, who was also a founder of the Holocaust Museum in Washington, D.C., and the president of a major New Jersey bank, until his death in 2003. The article also went into how “Miss Naomi” herself amassed an extensive portfolio as a philanthropist and well-known supporter of cultural and Jewish causes, all while raising three children and becoming a grandmother. And the story told how, as the press delights in reporting, she was quietly going about her business when her son, Ivan (now known as “Sir Ivan,” also a can’t-miss figure at her parties, in equal parts due to his platinum hair, cape and the huge, glittery “peace” signs he wears), asked her several years ago to pick up a few pieces of erotic art for his new apartment.

Of course, Wilzig went above and beyond, setting a hard-to-beat record for Jewish mothers everywhere, traveling the world to amass a collection of approximately 4,000 paintings, sculptures and tapestries tracing erotic art from the early Roman Empire to the contemporary world, including Picasso, Salvador Dali and Gustav Kimpt, and attracting admirers such as Francese Granell, a former European Union official who teaches economics at the University of Barcelona and who has toured erotic art museums in Europe.

With all this acclaim, though, Wilzig was smarting on this night at what she perceived as a snub by Art Basel Miami Beach. Although the party was also to celebrate a new exhibit at the museum by artist Laurence Gartel, titled Gartel: Exotic/Erotic/Electronic, and was billed as a kickoff to Art Basel, the art fair’s organizers had failed to list her museum in any of their materials.

“Sam Keller [the fair’s director] refused to approve listing the museum in the Art Basel listings because he hadn’t seen it,” she said.

Asked about the matter during the art fair, Keller said he wasn’t aware of Wilzig’s request. “I can tell you that Art Basel has generously included all the art museums, private collections and visits to art studios as we can,” he said. “We give a boost to the city of Miami Beach, and we try to select as many as we can. We just have limitations, and we ask everyone to understand.”

Don’t fret, Miss Naomi; despite what others may think, your museum’s reputation continues to grow. Remember, just as the French crew heads out the door, the Travel Channel will be arriving.

Gartel: Exotic/Erotic/Electronic, an exhibit of works that incorporate images of pieces from Naomi Wilzig’s collection, continues through Jan. 31 at the World Erotic Art Museum, 1205 Washington Ave., Miami Beach; 305-532-9336. Museum admission is $15.

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