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Weekend Warrior
While the masses were enthralled this weekend with the South Beach
Wine and Food Festival, Murmurs felt like doing something
different.
Ogling hot people’s always fun, so Murmurs attended the Third
Annual Model Volleyball Tournament hosted by Nikki Beach
and Nikki Style Magazine. Murmurs expected it to be full
of gorgeous women in bikinis spiking and bumping and setting and
whatever else beach volleyball entails; but, it was mainly
well-chiseled, six-packed men with snow-white teeth — which only
confused Murmurs’ already debatable sexual orientation.
Nevertheless, the unusually large concentration of pretty people
made for a great way to celebrate not having to elbow through
crowds of
Middle America salivating over Rachael Ray’s buns at the
Amstel Light Burger Bash this year. In fact, Murmurs was
mesmerized by the effortless gyrations of one particular table
dancer/party starter who, like the Energizer Bunny, never
seemed to run out of steam.
After baking in the sun all day Sunday and consuming nothing but
mojitos and Mini-Thin Rush energy pills (Energizer Bunny’s
secret, no doubt), a hopped-up Murmurs revisited Club Nikki
for the models’ VIP celebration.
Modeling agency Irene Marie won — for the third year in a
row. Maybe Elite and Ford models just aren’t good,
but Murmurs heard that their secret is (wait for it): having
actual sports models who play volleyball professionally. Oooh,
scandalous. In any case, the gallons of champagne and vodka and
the mix of house and hip-hop music made the models happy enough
to keep anyone from being clobbered by a jewel-encrusted
BlackBerry, which goes to show that Club Nikki — formerly
Pearl — still knows how to throw a party like no other.
I Write the Songs
When Murmurs was offered two tickets to see Barry Manilow in
concert, he snatched them up in a second.
It was the opportunity of a lifetime to make fun of the people
who planned ahead and actually paid money for the tickets.
It was also a truly selfless act of kindness because Murmurs’
girlfriend has a couple of dozen Manilow tunes in her iPod.
Before you jump to conclusions, no, she doesn’t have a frosted
perm, doesn’t wear animal print polyester and isn’t old enough
for an AARP card. She’s a Mormon.
The concert was at the
BankAtlantic Center all the way out near Sawgrass Mills,
which, coming from South Beach, might as well have been the
Panhandle. Manilow also played the next night at the American
Airlines Arena, but those tickets weren’t free. We were supposed
to get a ride from another SunPost employee so we didn’t
have to go all that way on a motorcycle, but after the girl that
employee tried to lure on a date failed to return his phone
calls, he backed out and left us with his car, which has more
than 200,000 miles. He probably hoped it would break down,
forcing Murmurs to shell out the cash to fix it, but, ha ha, it
ran like a sure-footed pack mule.
Waiting to get into the parking lot, the vibe was more along the
lines of a Midwestern religious revival than a concert.
There wasn’t any loud music cranking out of the cars, no
patchouli oil-scented air, no marijuana smoke. Instead, senior
citizens and couples, whom this arrogant writer imagined lived
in the suburbs and went to Applebee’s for fine dining,
inched along quietly and much too politely. It was weird and
uncomfortable.
The walk from the car to the arena was really special, too. A
cranky old man wearing Dockers and white Reeboks hollered at his
white-haired wife, who was trailing behind him, to pick up the
pace. A hip-looking, 16-year-old boy shuffled his feet
behind his parents, wearing a gloomy expression.
Our seats were in the upper level and offered a great view of the
waving sea of green Manilow glow sticks, as some soft jazz band
warmed up the crowd’s stiff joints. We were late, and soon Barry
walked out on stage sporting a spiky Rod Stewart haircut.
Thank God he chose a nice black suit instead of leopard skin
tights. The crowd went wild.
Murmurs, who was preparing for a nap, was soon wide awake and
actually having a good time. Manilow is a freakin’ fantastic
performer — a true showman. Between such crowd-pleasing
ditties as Mandy, Looks Like We Made It and
It’s a Miracle, Barry spoke to the crowd in a kind voice
that made us all feel like family.
“Welcome friends … tonight we’re going to have a splendid
night of music and passion … because I write the
songs.” Okay, those aren’t exact quotes, but you get the
idea. Manilow led the crowd through every range of emotion. One
particularly intense moment was when he told the story of his
Russian grandfather taking him from Brooklyn to Times Square
every Saturday to record songs for a quarter. The story ended
with his grandfather getting to see him play Carnegie Hall.
It brought a lump to cynical Murmurs’ throat.
Another special treat was when Barry, lowered to the front row on
what resembled a handicap elevator platform, grabbed the
trembling hand of Kelly from
Boca Raton,
and chivalrously asked her to dance. Wearing a white and
black tiger print dress, the 50-something-year-old Kelly had
seen Barry three times at his regular gig at the Las Vegas
Hilton. She wrapped her arms around Barry and buried her
cheek in his chest, and appeared in love. Barry, on the
other hand, was probably thinking about Randy or Andy. Oooops,
that’s Mandy.
The encore was Copacabana, and with showgirls named Lola
being Murmurs’ weakness, Murmurs sang along to every word. Come
to think of it, Murmurs knew the words to almost every song. And
the next day Murmurs was still singing Manilow tunes, giving
them a personal twist. “Her name was Esther, she was a show
cat.”
And that’s when it all became clear: Barry Manilow really does
write the songs that make the whole world sing.
Ain’t Our First Rodeo
“Is that a sheep in that baby carriage?” asked a fellow SunPost
employee, motioning toward a woman sitting in the audience
several bleacher levels below us.
“No,” Murmurs said with a laugh.
“Whew. Okay,” he said.
“It’s actually a goat,” Murmurs said.
“Oh my God, this is the best thing I’ve ever seen,” he said. And it
was just the beginning — the first bit of the show Saturday
night at the 2008 Orange Blossom Festival Rodeo in
Davie. First, six hot chicks in red, white and blue sequined
cowgirl outfits holding American flags straddled horses in a
circle, while an audience of thousands sang along to “The
Star-Spangled Banner.” They were real cowgirls. Yes, they
exist. They were from the Professional Rodeo Cowboys
Association. Yes, that exists, too.
Okay, so it was our first rodeo.
About 80 of the cowboys and cowgirls from the PRCA were in
Davie last weekend competing for more than $20,000 and national
championship points. But $20,000 for doing what exactly? Murmurs
had to find out.
First, they competed at different events designed to test their
cowboy mettle. For example: A cowboy on a horse chases after
a rowdy little bull calf, lassoes it by the horns, then
leaps from his horse, picks up the bull and drops it on its
back so it is splayed out in the muck, flailing hoofs up.
Then, in three super-fast loops of a rope, he must hog-tie at
least three of the calves’ legs, thus immobilizing the animal.
Yeah. Mmmmkay.
Then they do this in teams, with one cowboy roping the horns and
one roping the hind legs. Nebraska trick roper Jerry Wayne
Olson showed off his trained horse, which sits, lies down, walks
backward and leaps into the back of a moving pickup truck,
all on verbal cue.
Then some more cowboys actually wrestle with steers (young
castrated male bulls), and more hot chicks on horses race around
barrels at what is actually the definition of “breakneck speed”
in a cloverleaf-shaped pattern.
Probably the most fantastic display of cowboyism (in Murmurs’
opinion anyway) is bronco riding. Here, cowboys ride wild
broncos, not the kind of horse you’d have up on blocks
outside of your double-wide, but real, mean horses —
lesbian-gym-teacher-mean horses.
Then, a bunch of cowboys who all look exactly like the
all-American stereotypes in Wrangler jeans ride these scary
broncos around the arena as the horse bucks the rider so hard
you’d think the guy would have whiplash or brain damage.
And if that wasn’t exciting or weird enough, there is, of
course, the ever-popular bull-riding. It’s called the most
dangerous eight seconds in professional sports. So, Murmurs
had to see what it’s all about.
Local rodeo announcer Norman Edwards narrated the hours-long
event, in which cowboys ride randomly selected bulls of some
kind of prescribed level of strength and agility that defines
their snarkiness.
The rider gets to hold on to nothing but a rope tied around the
bull (the other hand must remain free). When they get the
go-ahead, the chute is opened and the bull charges out into the
arena. Since riders get more points for how hard the bull bucks,
the cowboys do all kinds of crazy stuff to get it to freak
out more, like dig their heel spurs into it. The guy has to
stay on for at least eight seconds while this thing tries like
hell to buck him off, at which point the cowboy would be
catapulted dozens of feet in the air, come down even harder
and then, quite possibly, be mangled by the fuming bull.
The bulls get points too, by the way. Then the crowd goes nuts
for about 10 seconds and waits while the rodeo clowns do stupid
tricks for the kids.
So, out west in Davie where the houses look like dude ranches,
there are horse crossing road signs and nobody can
communicate anything in a conversation less than five minutes
long, Murmurs discovered the magic of the tight-jeaned,
cowboy-booted, livestock-offspring rodeo. Just one thing was
missing from the whole endeavor.
“Is the only beer Budweiser?” Murmurs asked the friendly,
southern-drawled beer tent lady.
“Yeeep,” she said.
“Only Budweiser — in this whole place? All of these tents are
only serving Budweiser?”
“Yeeep.”
“Even that tent over there. And that other one over there. Just
Budweiser.”
“Just that and Jack Daniels, honey,” she said.
Yeehaw.
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