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Design Approval of New St. Patrick Pre-K Building Stalls in Wake of Resident Outrage

 

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Miami Beach Commission Candidate List Grows

 

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North Miami Beach’s New City Attorney Sworn In

 

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BOUND>>

Hood chats it up with Shawn C. Bean, author of The First Hollywood, a book about the early years of silent movie making in Florida’s very own movie mecca — Jacksonville?

 

THE 411>>

Yeah, there were more stars out during Miami’s New Year celebrations than you could shake a stick at, but the big news was that the gold laden, skimpy speedo sportin’ Michael Phelps was spotted swimming in the rooftop pool at the Gansevoort…

 

FILM>>

Go ahead punk, make our day and watch the latest flick from the greatest, oldest tough guy left in the effete world of movie making. Yup, Clint Eastwood is back baby and although he’s an old coot, he’s an asskickin’ one and that’s all that counts. Oh, and Hudak actually liked Gran Torino.

FILM CAPSULES>>

 

MUSIC>>

Real Animal is the strongest album that Alejandro Escovedo has ever made. Well, at least that’s what he tells Alan Sculley. But, who cares about that, this guys band Nuns was the opening act for the infamous last ever show by the Sex Pistols. And, that rocks!

 

THE 2008 SUNPOST YEAR IN REVIEW>>

The 2008 [Somewhat Accurate and Mostly Sarcastic, or Perhaps the Other Way Around ] Year in Review

 

 

 

 

 

 

 

Theater

 Nov. 20, 2008

High-Flying (and High-Cost) Fun

The Latest Traveling Cirque du Soleil Act Will Leave You Impressed, Even if a Little Broke

By Dan Hudak

Cirque du Soleil does it again in Bicentennial Park

A guy walks upside-down across a high wire, candles in hand. The strong men throw girls through the air, only to be caught by other strong men at least 15 feet away. There’s also a giant. And little people. And enough gravity-defying, awe-inspiring feats of unthinkable grandeur it’ll make you believe anything is possible. At Corteo, anything is.

This is Cirque du Soleil, after all. The venerable Las Vegas must-see has taken its show on the road to Miami (you can’t miss the blue and yellow tents when passing Bicentennial Park) through Dec. 21, and it’s safe to say the show travels well. It may not have the same “wow” factor as a Vegas production, but those new to the Cirque canon likely will be impressed.

This is not normal theater. Think of it as circus acts loosely connected by a storyline. There’s no traditional beginning-middle-end structure, although the idea being the fantasy of a clown’s (David Figlioli) funeral procession is enough to thread together acts of astounding physical grace.

Some of the most impressive pieces come toward the end of Act 2. Uzeyer Novrusov masters the laws of equilibrium as he balances on a 16-foot ladder; the duo of Botakoz and Dmitry Turkeev demonstrates incredible strength and dexterity as they fly through the air while literally hanging off each another; and the “trio juggling” act of Eduard Novac, Andrii and Sergeii Kolesnikov shows impeccable timing and coordination.

But this is not to say Corteo saves the best for last. The aforementioned strong men playing catch comes much earlier, as does the surreal foot juggling of Antonia Zadonskaya, the unbelievable high wire act of Anastasia Bykovskaya, and the teeterboard routine of Andre Farstad and Elias Larsson. This last act combines timing, agility and the more-difficult-than-you’d-think ability to land in the same spot after being catapulted 20 feet into the air while performing various twists and flips.

One thing the show doesn’t handle well is humor. There’s an odd and unfunny bit with an oversized golf club in Act 1, and the supposedly goofball “Teatro Intimo” lacks comic timing, ironic considering the pitch-perfect choreography in most of the other segments.

If you’ve never seen a Cirque du Soleil show, this is a good one to start with. The concept is simple and the execution superb — it has to be for the safety of the performers and the level of excellence the Cirque name demands.

However, there is the matter of ticket prices. Parking on the grounds will cost you $20, so add that to the $55 to $125 price range for adult tickets. That’s a lot, even in a good economy. If you have a genuine interest in seeing it, though, it’s worth it.

Corteo is playing at Bicentennial Park, 1075 Biscayne Blvd., in Miami, through Dec. 21. Performance times are Tuesday through Thursday at 8 p.m.; Friday and Saturday at 4 and 8 p.m.; and Sundays at 1 and 5 p.m. For more information go to cirquedusoleil.com or call 800-678-5440.

Comments? E-mail letters@miamisunpost.com.

All contents copyright © 2008 Caxton Newspapers, Inc.

 

 

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